Celebrating her 75th birthday, an exhibit of Judy Chicago's early work reveals the roots of her feminist approach to making art.
March 27 2014 1:01 PM EST
November 08 2024 6:13 AM EST
By continuing to use our site, you agree to our Private Policy and Terms of Use.
A new exhibit focuses on the first decade of work by one of the leading figures in feminist art, Judy Chicago, who is now approaching her 75th birthday.
"Chicago in L.A.: Judy Chicago's Early Work 1963-74" is at the Brooklyn Museum from April 4 through September 28. It is billed as a reappraisal of her importance as a pioneer in the California art scene, bringing together more than 55 objects, including her Female Rejection Series, and large-scale paintings.
In this period of Chicago's life, she lived in Los Angeles and participated in the Finish Fetish School, which responded to the rapid post-World War II industrialization of the West Coast with its own brightly colored, high-gloss form of minimalism.
Through "Chicago in L.A.," audiences discover Heaven Is for White Men Only and her minimalist sculpture Rainbow Pickett, created for Chicago's first solo gallery show held in Los Angeles in 1966.
Acrylic Shapes
Birth Hood
Dry Ice Environment
Female Rejection Drawing 3 from the Rejection Quintet
Heaven Is for White Men Only
Polished Stainless Steel Domes
Purple Atmosphere #4
Queen Victoria from the Great Ladies
Rainbow Pickett
Silver Blue Fan
TTF Painting